The Kota Factory Season 2 Review: Kota Factory Season 2 Download Filmywap : Lacking essential insight into the sad realities of professional coaching institutes and irresponsibly nostalgia for a toxic subculture, the wildly popular TVF series is also problematic. Kota Factory Season 2 Review: Jitendra Kumar as everyone’s favorite Jeetu Bhaiya in a still from TVF Show on Netflix.
You always wonder what promising breakout filmmakers will be able to do with a big budget. But beyond cumbersome contracts and perhaps a more tightly controlled set, Netflix’s move has done little for the people behind Quota Factory. After a mildly interesting first season that was nowhere near as good as those watched by YouTube, the show, which is now stamped with Netflix ‘Tudem,’ is back with a new batch of five episodes which is actually less than before.
- Series Name: Kota Factory season 2
- Director – Raghav Subbu
- Cast – Mayur More, Jitendra Kumar, Ranjan Raj, Alam Khan, Ahsaas Channa
There was a slapstick indie feeling to season one. It made the best of what it had, and told a fascinating story about IIT aspirants in Rajasthan’s Kota city – an incubator of sorts that attracts teenagers from across the country to its ‘mool’, and He also does coaching. Institutions with billions of dollars in valuation.
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Vaibhav is presented through the perspective of a playful young man named Kota Factory, a surprisingly (and somewhat irresponsible) honest look at the insular community of students who sacrifice their childhoods and their lives. Let’s dedicate the head of ‘cracking’ to one of the most challenging. Competitive exams in India. Securing a seat at a premier institution would literally put them one percent in a country where respect is directly proportional to their merit.
Ironically, for a show about people who aspire to be the world leaders of the future, Kota Factory is curiously clear. I was particularly surprised by the writers’ decision to dedicate not one but two episodes to bodily fluids in the second season. While Vaibhav suffers from mid-term jaundice, his friend Meena discovers self-happiness. And while one story is played for laughs — no prizes for guessing — another gives the quota factory a chance to embrace schmaltz like the first.
But for some reason — probably because its title includes the word “factory” — I expected the show to be more critical, or at least a little self-conscious about the ridiculousness of this whole scenario. It is a foreign world to me, and, I would imagine, to most of the population of this country. I had an easier time adjusting to the fictional world of Pandora than the cult-like environment of which Kota Factory offers a glimpse. Whenever someone mentioned ‘inorganic’ or ‘DPP’, my heart sank.
The show has an undeniable authenticity, but it doesn’t really examine the real-world implications of the culture that it is (problematically) romanticized.
Kota Factory doesn’t need an excuse for some shenanigans of Vaibhav and the gang every time they hit play on the same background song about friendship. It’s understandable to take a ‘best days of our lives’ approach to a story about college, but the sinister undercurrents of what happens in cities like Kota are essentially ignored. And when the show finally decides to accept the sad reality of “Taiyari” at this stage, it is too late, and comes across as a bit hypocritical, precisely because of the fact that the show has been around for so long. intentionally ignorant about it.
It also doesn’t help that Vaibhav isn’t the most likable protagonist – just watch how he uses his mother, and bullies his new friend Sushruta – but I suspect the show doesn’t recognize it. He makes lewd comments that reveal the sexist (and colorist) inner self, and the show doesn’t stop to prosecute these statements, revealing that it believes them, too. Despite season two featuring several female characters in the mix, the show lacks a female perspective.
And then there’s Jeetu Bhaiya (Jitendra Kumar), whom the show uses as the prison-free card whenever he finds himself writhing in a narrative corner. Jeetu Bhaiya is the epitome of the fiery struggle with which Kota Factory engages in a relentless wrestling match. There is no problem that Jeetu Bhaiya cannot solve by starting in some kind of preaching which is often contrary to what he said earlier. He’s like a pastor who tells his congregation that they no longer need to attend mass, which calms him down immediately, but then shakes a finger and instructs everyone that they should have a day at home instead. I need to pray a million times. Always armed with a plethora of powerful lectures, which he uses to condition his students, Jeetu Bhaiya is not unlike a doomsday cult leader. But he fails to communicate to the kids that there is a life beyond IIT and exams.
He isn’t, of course. But then, how will Kota Factory attract most of the audience who have neither dreamed of joining IITs nor cared much for those who do? After a while—and this was before the season finale actually done well—I began to crave shoehorned-in Unacademy commercials and over-used drone shots from season one.
Looks like Kota Factory is heading towards the entrance exam that Vaibhav, Meena and the rest of the expanding gang will eventually have to give. But if it were more daring, it would focus more on hard work and worldliness; Doubt and despair. Perhaps then he would have realized that throwing Jeetu Bhaiya at every problem is not the best solution.