The story of two great revolutionaries and their journey away from home. After his visit he returned home in the 1920s to begin fighting against the British colonists.
Filmmaking is a difficult process, but even the most sympathetic among us might be of the opinion that being a part of the promotion should be relatively easy.
However, having been part of a group conversation with the RRR team – to which several members of the media were invited – it’s not hard to see that film promotions can be tricky too, especially when you take on SS Rajamouli, Jr NTR and Ram Charan. Huh.
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|Directed By:||S. S. Rajamouli|
|Release Date:||25 March 2022|
The trio is traveling across the country promoting the film and answering mostly repetitive questions.
As always, the questions in this group conversation ranged from flattering to frivolous to flashy. At one point, Ram Charan was asked, “Romance has always been a major element in your films.
Even in Magadheera, you shared romantic chemistry with Kajal Aggarwal. What can we expect in RRR?” Jr NTR immediately replied, “There is bromance”, splitting the room and leaving.
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Somehow, Ram Charan keeps getting the strangest questions, one with Shankar about an estimated Rs 100 crore salary for his next and his entry into politics following in the footsteps of his father Chiranjeevi.
A candid Charan smiled and said, “First of all, I want to know where are those 100 crores. Coming into politics, I don’t even know its spelling.”
Rajamouli also faced his share of quirky questions, the most entertaining of which was why he is not interested in casting international stars in his films.
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The Baahubali filmmaker gave a response that reflects the soul of his films. “Brad Pitt and Keanu Reeves may be the biggest stars in the world, but to me, my heroes matter more than the world. Everything boils down to the story. I got to cast a particular actor in the story.”
As the conversation gradually moves away from blague and speculations about the stars’ salaries, and inches towards an insightful discussion, the filmmaker shares that his choices are driven by the response they incite in the viewer.
“With RRR, the intention is to give the audience a high in the theatre for every ten minutes. It can be done through any device: action, spectacle, or emotion,” Rajamouli says.
Over the years, the filmmaker has grown synonymous with grandeur, but he disagrees that his films have relied solely on alluring visuals.
“I believe that emotion of the story has to drive the spectacle. When films try to stand solely on the spectacle, they fall flat,” he says.