Virumandi Movie Download in Tamilrockers 480p, 720p 1080p: Two prisoners sentenced to life imprisonment reflect on the direction their lives have taken and how they have ended up in the situation they find themselves in.
Kamal Haasan is one of the most versatile mainstream actor and filmmaker of Tamil/Indian cinema. Praising his performance or written dialogues or subtle directorial touches would only be a tedious repetition.
Viruman sees shades of his outspoken mother Muthulakshmi (Saranya Ponvannan) in Thaen (Aditi Shankar who sells the character quite well). It is Viruman’s uncle (Rajkiran who gets a kickass scene in the end. He is terrific) who makes things worse.
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Looking at Viruman who looks frozen in front of Thaen as she gives him an earful, Rajkiran plants a seed into his head. That after him, it is only Thaen he ‘listens’ to and the fact that their meet-cute happens in his mother’s tomb has to be a sign.
Viruman and Thaen have late night chats on WhatsApp but their romance hasn’t been updated and wants to be painfully cute.
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As Angela walks through the Chennai prison premises, she is beckoned by a death row inmate, who talks on camera about the rotten police officers in the jail.
The next day there is quite a disturbance outside the jail premises as people are protesting over the mysterious death of a deathrow inmate.
The jailer (Nasser), a genial man who is aware of his inability to abolish the prison corruption, asks Angela to finish the interviews faster as a full-blown riot is just waiting to happen.
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The sleazy cop Peikaaman (Shanmugarajan) talks about two vicious criminals, who have committed 24 murders in Theni, a district in South Tamil Nadu, as the perfect interview materials. The wardens are warned to not make the two prisoners confront each other since both men are waiting to wreak vengeance.
The slender structural similarity in the film’s narrative to the Japanese master’s benchmark cinema was either overly praised or passed off with blistering comments.
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Director Kamal Haasan merely gives a nod to Kurosawa’s masterful script rather than take a similar approach to explore the meaning of ‘truth’. The script favorably inclined towards the narrative offered by protagonist Virumandi.
However, the controversy had upset Kamal a lot, and he went on a rare public rant for two minutes straight. “I can’t name this film Sandiyar because brother Krishnaswamy will get mad. I thought that I could name this film ‘Kitty Vasal’.
But, Kitty is Krishnaswamy’s nickname, so I was worried that might also make him upset. I thought of naming it Arangetram. But, it’s already taken and my mentor (K. Balachander) will be upset.
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I even thought of the name Avvaiyar. But, there is no connection between Avvaiyar and this film. We can’t call it Murattu Kaalai because Rajinikanth will get upset. If we name it Parasakthi, Kalaignar will get upset.
At the end of second flashback, the filmmaker isn’t trying to say there are two sides to truth. By adding enough poignancy to the primary character, Kamal Haasan clearly demarcates the truth and lie.
Among his wide array of cinematic endeavours, his 2004 epic project “Virumandi” holds a notable place. “Virumandi” is a story of greed and caste-motivated violence in rural South Tamil Nadu.